![]() ![]() Road to racetrack 경마장 가는 길 (1991) is an heartbreaking story with one of the main actress of the end eighties and nineties, the wonderful Kang Soo-yeon 강수연.Ĭheck also or Resurrection of the Little Match Girl 성냥팔이 소녀의 재림, a kind of blockbuster which put an end to his career because it’s one of the most weird thing (hard to call that a « film ») ever made, some self-conscious auto-destruction of a filmmaker burning the budget of the producer while fingering the distributor and asking to the viewers : « can you bear that scene? No? I knew it. It generates quite some buzz at that time. All of this makes it both singular in the history of Korean cinema but also surprisingly. The scandalous Lies 거짓말, which went in Venise competition and have been distributed in some countries, including France, but was banned in Korea (well, it’s somewhat erotic and film adapted from a banned novel, so…). Timeless, Bottomless Bad Movie blends cinma vrit-style documentary, scripted and improvised scenes, and animation (some of which is meant to resemble a video game) to create a non-narrative film that's tied together through tonal consistency. In this rabbit hole excursion into the urban topography of Seoul (the skirmishes in dark alleyways, the hazing in the high-school. He was one of the most influential figure in Korean art of the eighties and nineties. The key is in the title, its praxis succinctly delineated in four words: Timeless, Bottomless Bad Movie (Nappeun Yeongwha) is exactly what it suggests it is, a film purportedly unaffected by time and utterly bad. Timeless, Bottomless Bad Movie blends cinéma vérité-style documentary, scripted and improvised scenes, and animation (some of which is meant to resemble a video game) to create a non-narrative film thats tied together through tonal consistency. Where are those kids now? Timeless, Bottomless Bad Movie promises to be nothing more than what it says it is, really, truly bad.More generally, any film by this director, Jang Sun-woo, is strongly worth to be seen. Timeless, Bottomless Bad Movie (DOCUDRAMA - SOUTH KOREAN) Production: A Miracin Korea Film Co. The gaudy, ostentatious displays only belie the elaborate arrangement and direction behind it all. The film was shot amongst three different camera operators working in several different formats (35mm, 16mm and digital video) and purports to bethe brainchild of the kids on screen. To Chinese restaurant delivery boy 'Ju', the only joy in life is spending time at the electronic game room. In Seoul's orderly metro, each has a way of. After an initial encounter, they embark on a sexual odyssey that visits the realms of obsession and sadomasochism. In 'Timeless, Bottomless, Bad Movie,' the kids dye their hair orange, invent their own martial arts, knife, kick, punch, burn, turn on each other. ![]() ![]() A compilation of episodes from the lives of the 'bad teens' and the homeless of Seoul. Timeless, Bottomless Bad Movie cares little for beginnings, ends, and all the particular concerns of a typical, narrative film nor does it quite work as documentary, not when there are moments so patently contrived. A story about the bizarre sexual relations of 38-year-old married man J and 18-year-old student Y. With Seul-ki Hang, Kyeong-won Park, Jae-kyeong Lee, Nam-kyeong Jang. In this rabbit hole excursion into the urban topography of Seoul (the skirmishes in dark alleyways, the hazing in the high-school restrooms, sexual liaisons in karaoke bars, morning hangovers in motel rooms, the wasted hours spent in the video arcades), where the teenage street urchins of Seoul run amok and the old bums sit defiantly on subway floors, the film operates, as Nicole Brenez has pointed out, between the representational regimes of fiction and documentary. The key is in the title, its praxis succinctly delineated in four words: Timeless, Bottomless Bad Movie (Nappeun Yeongwha) is exactly what it suggests it is, a film purportedly unaffected by time and utterly bad. Also Known As: Bad Movie, Nappeun Yeonghwa, Timeless Bottomless Bad Movie.
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